A woman I once met at a cocktail party told me that her friends often suggested she try stand-up and asked if I thought she could be a comic. So I asked her, "how much time are you willing to spend in open mics?" This was clearly not the question she expected me to ask.
She kept bringing up qualities like wit and being comfortable in front of people. And I kept trying to bring the conversation back to, "No really, being funny won't make you a comic ... spending thousands of hours in The Village might."
I did think she was outgoing, charming, talkative and funny. Certainly these are excellent qualities for a would-be comedian. But they're not going to do it by themselves. What is going to do it is time ... lots and lots of time.
She had a lovely fantasy about being a comic. I tried get her to understand the reality of becoming a comic with descriptions of hours of waiting for your turn to go up while listening to frat boys telling abortion jokes and rape jokes.
I wasn't trying to shatter her fantasy. I was just trying to convey that while a sense of humor is certainly required, it's a huge investment of time that will make you a comic. I was encouraging and even offered to take her to one of the open-mics where I work out my new stuff. But she never really got the point I was trying to make. So I suspect her fantasy will remain just that.
Which isn't such a terrible thing. I have a fantasy about living in Europe. But as the years slip by, it seems less and less likely to happen. No matter. I'm still fond of the fantasy. I'm unwilling to do the work and make the sacrifices required to make that particular fantasy a reality.
More than anything else, becoming a comic requires time ... time writing, time editing, time rehearsing, time traveling to open-mics, time waiting at open mics, time traveling home after open-mics ... all to get stage time in excruciatingly short doses of only a few minutes at a time.
I'm getting ready for my big call-back audition at Stand-Up NY tomorrow night. Last week I went to four open mics so I could work on refining my set. I spent 15 hours just traveling to and from and sitting in these shows. And that doesn't even include writing, editing and rehearsing. For those hours, I received 22 minutes of stage time.
The approximate ratio is:

That is to say, I spend about an hour (or two) getting each minute of stage time. It's interesting to me how consistent this ratio is and has been from the very beginning ... at least for me. It holds true for everything from open mics up to headlining. 5 hours writing and going to an open mic yields 5 minutes on stage. A 48 hour trip for a major gig yields 48 minutes on stage.
I'm not complaining. Really. I'm not. This is simply an accounting of what it takes. And it's a reminder of my dedication.
I want this. I want it bad. I want it as much as
I wanted to change the world as the plucky-little gay-rights activist I was in my 20s. I want it as much as I've ever wanted a job in an interview, as much as I wanted to move to New York City 12 years go, as much as I've ever wanted passion and romance in my life. I want it as much as I've ever wanted anything ... not because I'm dying to be rich and famous.
I do it because I have something to say, because I want to learn my craft, because I want to reach and grow as an artist, and because there's a little voice in my head that won't shut up.
And that's a good thing. It gives me the motivation to spend the time and to do the work. And it gives me stamina to sit through frat boys telling abortion and rape jokes and then bitching at the chicks in the audience for not laughing.
Labels: standup
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