For three months leading up to our second anniversary show neither Michelle nor I had any idea what we were going to do. We kept having the same conversation.
"You got anything?"
"No. You got anything?"
"No."
"How about now?"
"No."
"Now?"
We talked about doing another roast, but I felt like after my huge-boobed performance last year as Michelle I really had no where to go. Then this happened....
The Making of SuperEgo Slash
I was reading The Absolutely True Ball Story by Evan Jacobs. It's a charming and romantic tale of a boy who gets stoned, accidentally ties his balls in a knot and goes to the emergency room for this first homosexual experience and an anal probe.
Since we both know Evan I sent the link to Michelle as a laugh. My interest in the story inspired her to write a single line parody in an email....
"I felt his knit tie, soft but scratchy, rubbing against my bare heaving chest...."
This had me on the floor laughing. So I dared Michelle to write a slash fiction story about me and quickly decided to write my own about her.
And so, only 30 hours before the show, we finally found our theme.
We decided to coordinate our performances in a deadpan Masterpiece Theater style. But we did not share drafts.
So the whole time I was writing about her, I wondered what she was writing about me. Specifically I was worried about whether I was going to be the top or the bottom in Michelle's story. I could just see myself ending up at the bottom of some bitch pile.
The ShowWe opened the show with our readings and as you can see in the videos it went well. I really liked the quick/slow rhythms and rising/falling tones of Michelle performance.
In his biography, Steve Martin relates how some years ago he changed the fundamental structure of his comedy. Instead of using obvious punch lines to tell the audience when to laugh, he left it to the audience to decide for themselves when to laugh.
A little nervous about how this whole thing would play, I decided to follow Martin's example and not telegraph any attempts at jokes. As far as I was concerned this was fine literature. This allowed me to relax and give exactly the performance I'd wanted to give. Although it wasn't easy getting there.
I had a lot of trouble with my rehearsals right up until the very last one. I was unable to resist my usual urge to ham it up, which is a form of begging for laughs. But when I put on the suit, everything just clicked right into place. Interesting how the clothes allowed me to finally get to where I wanted and knew I needed to be.
After our stories we put up 18 comics. There were a variety of themes to the reactions.
Several girls said they felt slighted at having been left out of the "lesbian montage".
Straight men and lesbians alike agree that I don't know a damn thing about lesbian sex. This is true.
I'd wanted to include female ejaculation in the story but didn't for two reasons. First, I wanted to keep it classy. Second, I had absolutely no idea how to get there.
The erotic parts of
Girl Talk read like a 14-year-old straight, virgin male's first attempt at a letter to
Hustler. This was intentional. But I still don't know anything about girl parts.

In my defense,
Girl Talk is not actually a lesbian story. Slash fiction was invented by straight women and it's almost always about straight male characters, Kirk/Spock, Han/Luke, Frodo/Sam. It's called slash fiction because of the slash in the pairings. The top is always first. So in an Aragorn/Legolas story, Aragorn fucks Legolas. (That little blond bitch wanted it.)
But I digress.
So
Girl Talk is not a lesbian story. Knowing I hadn't the foggiest clue about how to get a vagina into a narrative I consciously wrote it as a straight girl on straight girl boob domination scene. This subtle distinction may not matter to the casual listener, but it's the basis for the narrative.
Several phrases captured people's imaginations. Michelle's "Take those off, you're way sexier without them," was a favorite, as were her inspired lines about stubble and pleats in pants.
I particularly liked Michelle's poetic, "Male confusion of belts and buttons and underwear."
My utterly laughable, "moist erotic love knobs" seemed to be a memorable phrase repeated a few times in the show. Like so many lines, I wrote it to be as cliché and ridiculous as possible. Which was the point of the whole thing. Porn out of the context of arousal is ludicrous.
But the phrase that really took on a life of it's own was, "Boob Slave". Several comics, including Michelle, straight boys and a real, live lesbian said they'd all like their own boob slaves.
A new service industry is born.
EpilogueHaving watched the videos a few times now what sticks with me most is how flattering Michelle's story is. Not because I ended up on top (I did) or because it casts me in a positive light (it does). Rather, the effort itself is quite a compliment.
What better way to star in your own porno without the awkwardness of having to take your clothes off for the camera?
Labels: performance art, slash, standup, SuperEgo Comedy
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